Here are close ups of some of those sketches of Palladio’s Tempietto Barbaro that I did last week.
In recent weeks I have been experimenting with ways that I can sketch complicated buildings in a looser way (so that I am not stressing about perspective so much) Of course, being an architect, I do have the principles of perspective programmed into my brain, so that although I am often too lazy to set it up accurately, and although sometimes my lines have a mind of their own, I instinctively know where the lines "should" go.
I choose this building as it has an interesting 3D form, nice colours (how very descriptive!!!) and not too complex so I would get bored sketching it over and over again. (I did all those sketches in my previous post in a hour or so one afternoon)
Also refer to a previous post here where I first starting exploring different line styles...
1. Re-instated multiple lines. This is the style that I sketch in
when I design. Starting with the main shapes, I draw quick rapid lines
correcting if needed as I go. My lines continue pass the edge of the
object, creating 'architect's crossed corners. This inaccuracy allows me
to draw my lines quicker and more confidently. (Aside: People often say
that they can't draw a straight line... but I personally think that
defining corners is more important.)
I am not sure that the above
sketch is the best example of this... I want to try again with a finer
pen, no cross hatching and really layer my lines to define the building.
2. The second example is Continuous line... this is a great
example of how to loosen up before start a 'proper' sketch. I let my
lines wonder around the building back and forth without worrying to much
about distortion... FUN!
3. The third example... which I am not 100% sure about, is the open
ended line. This is the opposite of my desire to define my corners. When
I TRY to sketch this way (crossing corners is a reflex action!) I find
that I need to work out which are the most important edges of the
building to draw.
And here is the three styles in B&W and coloured next to each other.
This blog is devoted to my architectural sketching adventures and musings about the integration of architecture and sketching.
I hope not only to share my own on-location architectural sketches but provide tips and methodologies for sketching and understanding architecture.
Also, most importantly, I wish to explore ways in which, in a digital age, we can not only defend but
promote freehand sketching within the architectural profession.
I hope not only to share my own on-location architectural sketches but provide tips and methodologies for sketching and understanding architecture.
Also, most importantly, I wish to explore ways in which, in a digital age, we can not only defend but
promote freehand sketching within the architectural profession.
Very interesting....I like the third result best.
ReplyDeletethanks Balaji... I am surprised that the open ended line appraoch is so effective... being taught in the 'define the corners' school!
ReplyDeleteAh! all fun!!!!
I am totally in love with this blog. Your sketches are relaxing to look at!
ReplyDeleteGreat info. Thanks for sharing. I always draw with a continuous line to capture the energy of the moment.
ReplyDeleteHave a wonderful creative weekend!
What a great blog. I have come back to art late in my life and would love to loosen up more, this is a real help.
ReplyDeleteWow, a very nice blog. You create very good sketches! I love it. Look at my site at http://www.wimvandewege.nl
ReplyDeleteVery useful.
ReplyDelete