![Paris01_04 Garnier Opera](http://farm5.static.flickr.com/4040/4171562632_665b2c398d.jpg)
For many years I have avoided drawing buildings in perspective...
![Paris05_04 ND Front](http://farm3.static.flickr.com/2617/4187434052_d2fe444007.jpg)
in Paris, I tried whenever possible to sit straight on to a building and add people in the foreground to give a sense of space - or if not in a central position I avoided a 2 point perspective as much as possible.
![0802M_04 Dekum](http://farm5.static.flickr.com/4149/5093137748_69aa91e02e.jpg)
Last year in Portland, on my extra day after the Ist USk Symposium I was itching to do a nice complicated building.... I sat in a cafe and sketched the Dekum buidling. This was not actually the view that I was looking at but an abstracted elevation (front on view) from what I could see. This is a very useful architectural exercise(converting what I see into what it actually is- reverse perspective at the top of the building) and I drew some people in the foreground to explain the fact that I was in a cafe. I was pretty happy with this sketch
![Portland, The Dekum](http://farm5.static.flickr.com/4074/4897044319_b2f5e97b08.jpg)
Later that day, at dinner, I saw Gerard Michel's wonderful version of the same building! He was sitting on the pavement and actually drew what he saw...suddenly I felt like I had 'cheated'. Silly thought but still seeing perfect perspective has funny effects on people.
![0806F_04 Soho](http://farm5.static.flickr.com/4110/5092539751_dd34c2155f.jpg)
So, inspired by the work of Gerard and also Lapin, as I continued on my travels I tried more and more adventurous perspective views. In New York I tried one of this one point facade perspectives and found this was in fact easier than I expected and a LOT of fun!!!
![0813F_02 Jenners](http://farm5.static.flickr.com/4129/5092539941_20081d58cd.jpg)
On other occasions I just did what ever my hand and pen wanted to do...
![0923T_03 PalazzodelPodesta](http://farm5.static.flickr.com/4126/5096462976_a2fb7f2210.jpg)
In Bologna... I started our visit doing the classic elevation with some foreground
![0923T_08 Medieval Bologna](http://farm5.static.flickr.com/4148/5096463086_c99f64790b.jpg)
And then later in the day had fun with 'organic' perspective... my term for when I just do what ever I feel like without establishing a horizon and vanishing point/s
![0924F_04 Colonnade](http://farm5.static.flickr.com/4090/5096463192_a67d13f5d4.jpg)
And then the next day I set up a proper perspective.... this was very satisfying. (Having my great friend Eza by my side had a big influence on me as she loves drawing everything in perspective) So anyway... I haven't really answered the question but just rambled away in my usual way... but I do intend to address this burning issue in more detail and in a more structured way in future posts
Liz,
ReplyDeleteThis is good stuff and I'm finding it interesting as well as instructional. Thank you for doing this.
Frank Bettendorf
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